What is contra dance? After attending the contra
dance tonight, my answer to this question would have to be, quite simply; EPIC!
That may not be the legal definition, but in my opinion it describes contra
dance perfectly. The contra dance at Bloomington’s boys and girls club was one
of the best social and musical experiences that I have ever had the privilege
to take part in. The contra dance was more than a fun experience; it was also a
learning experience. After attending the
contra dance and observing the environment, I would say that contra dance is
more than just a dance. I would argue that contra dance is better described not
as a simple form of entertainment but as a means to social bonding.
The thought of going
out and dancing in front of a large number of people had originally terrified
me. My only thought was that I have no rhythm and would surely be laughed out
of the building. Despite everything I have learned in class these past two
weeks, I still held on to the idea that in order for me to go out and enjoy
dancing I would have to have at least some talent for it, which I do not. I was sure that going to the contra dance
would end up as one of my more embarrassing nights. I most definitely did not
think I would have any fun, despite the reassurance of my professor. I assumed I would suffer through a dance or
two and then take my rightful place on the side lines with the rest of the
dance impaired participants to wait until we were allowed to leave. I can
happily say that none of my expectations for this experience were met. The contra dance turned out to be the most fun
I had had since arriving in Bloomington.
When
I first arrived at the contra dance I was nervous, as were most of my classmates.
We were told to pick a partner for the first dance, so I safely selected one of
my classmates and joined one of the two lines. We were paired into groups of
four and the caller walked us through the moves of the first dance, none of
which I understood. I thought for sure that our lack of knowledge would offend
the seasoned dancers with which my partner and I were paired, however I was
wrong. The couple we were paired with for the first part of the dance were
extremely welcoming and helpful. I was more shocked to discover that the other
seasoned dancers we were paired with were equally as welcoming and helpful. No one
seemed to care that we had no clue what we were doing; in fact most people
seamed thrilled to have newcomers that they could teach. As the song progressed,
I was able to get most of the steps down, with the help of several more experienced
dancers. By the time the third dance
started, I was filled with confidence. The exciting energy of the environment,
coupled with the welcoming people left me with an amazing feeling of pure joy. I had only just experienced contra dance for
the first time, but in that short amount of time I developed a strong sense of
belonging and really felt connected to the people there.
When
it comes to more mainstream forums for public dance, the environment, goals,
and values are completely different than that of contra dance. Mainstream public dance is typically found in
places like bars and clubs. These bars and clubs act as host for public dance
with the purpose of making money. The purpose of hosting contra dance is to bring
people together and have a good time. The type of dancing performed at bars and
clubs is highly different than contra dance. Dances performed at bars and a
club typically consists of people shaking their bodies in front of each other,
and involves very little actual movement. Participants of club dancing have
very little interest in forming a connection with their dance partner and are
more focused on pleasing themselves. Club dancing does often involve two people
being very close to one another but is actually far less personal than contra
dancing. The participants of contra dance have practically no choice in the
matter of forming a connection with their dance partners. At a contra dance, every one dances with each
member of the group at some point and the moves they perform are often very
intimate.
Participatory
music making and social actions are very unique experiences, which have several
benefits. One of the biggest benefits of participatory music making and social
actions is that everyone and anyone can take part. There are no barriers
keeping people from joining in. The aspects of participatory music making and
social actions are very simple and allow everyone to take part despite their
skill set. Participatory music making and social actions also allow for
variation so that more advanced participants do not become bored. Participatory
music making and social activities enable participants to form a connection.
These connections can have a greater impact on people and their lives. People
are able to gain an understanding of the people with which they form these connections.
This new found understanding of people different than one’s self can help open
up the mind to the world around them.
Taking part in a local participatory social action, such as a farmers’
market, can help to improve one’s community.
The benefits of participatory music making and social actions are vast
and it is important to keep them in mind when approached with the opportunity
to take part in a participatory action.
I left the contra dance
with a new outlook on dance. I had an incredibly good time and I would definitely
want to go again. The regular participants of the contra dance were very
friendly and welcoming, it’s true, but there was more to their kindness than
just wanting to be a good person. The people there genuinely wanted the newcomers
to experience the joy and excitement that contra dance brings them. I have only taken part in the contra dance
this one time; however, after just one time I too have the same feeling of
wanting to share the amazing experience I had with others. The experience was so amazing that I have no
doubt I will return to the contra dance again. I would be thrilled to attend
this event again for my own enjoyment, but more importantly I want to be able
to go back with my friends and family. I want other people to have the chance
to take part in the same unique experience that I was lucky enough to take part
in. I want them to feel the same unique connection with the participants that
can only be found in the kind of participatory environment that comes with
contra dance.
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